They will draft a plan and offer a price quote for your project. Many personal photo organizers work from home. Or locate a certified personal photo organizer in your area through the Association of Personal Photo Organizers. It’s pretty easy to set up shop as a digital-conversion service, so check with the Better Business Bureau to see whether any complaints have been lodged against the company. Check on the quality of the scans the store will create, and ask to see samples. If you’re leery of mailing your photos, you may be able to have the work done at a photo or camera shop in your community. For an additional charge, many of these services also offer options to create galleries you can view online, store images in the cloud, and scan both sides of an image to capture notes written on the back. At ScanCafe, you’ll pay an extra 24 cents for each image you want to have as an uncompressed TIFF file. To convert slides or negatives to 3,000-dpi files saved as JPEGs, you’ll pay 20 cents to 50 cents each. To convert prints to 600-dpi files in JPEG format, expect to pay 20 cents to 35 cents each. (Many of these services also convert videos.) The company will return the originals and digital files, usually on DVD or CD, several weeks later, typically with door-to-door tracking along the way. You mail a box of your photos to the company’s scanning center, where it will scan the images and make small fixes, such as removing red-eye or correcting the color on images that have faded or shifted. If you have a lot of images you want to convert, a digitizing service such as FotoBridge or ScanCafe can do the job for a reasonable price. As you’re sifting through your stack, organize loose photos in broad categories, such as “The Eighties,” “Travel” or “Holidays,” to give you a better sense of the themes in your collection. You may also want to cull, say, scenic landscape pictures from the same trip or other photos that don’t help tell a story, says Cathi Nelson, founder of the Association of Personal Photo Organizers.
#CONVERT SLIDES TO DIGITAL IMAGES FOR MAC HOW TO#
(For more information on storing and organizing your files, see How to Protect Your Digital Content.)īefore you decide on a method, weed out duplicates and fuzzy shots. Note, though, that TIFF files take up more space on your hard drive or in the cloud. Scanning services may charge extra for these files, which include all of the image data captured during scanning. But if you plan to heavily edit the photos or use them to print professional-quality photo books, you’ll want the images in uncompressed TIFF files to maintain their integrity. Images that are saved in JPEG format will be good enough to share on Facebook or to remember Aunt Agnes’s face.
To capture the details of an image and be able to crop or enlarge it without sacrificing quality, you’ll generally want digital images that are 600 dots per inch for prints and at least 3,000 dpi for slides and negatives. When choosing a photo-digitizing service, pay attention to the resolution the scanning process will deliver. You have several options to help bring your old-school images into the modern era. “I’d never seen my family’s whole life play out in order, and there were so many parts of the story that I couldn’t recall,” says Bisel, who has digitized almost 6,600 photos and advises others about digitizing their pictures at Digitizing your collection is a huge project, but don’t be discouraged. Even if it has been years since you last thumbed through your photos or loaded your videos for a nostalgic viewing, they have been degraded by air, light, temperature changes and humidity.Ĭurtis Bisel, 42, digitized his own photos and later tackled his parents’ collection-including slides from a trip to the 1964 New York World’s Fair. Tape used for video recordings decays as the magnetic particles lose their charge and the protective layer of film absorbs moisture. As photographs age, dyes in the ink fade and discolor, and the paper often yellows or becomes brittle. The biggest problem with analog technology is that the images (and video and sound) deteriorate over time, dooming those Kodak moments as surely as the fortunes of the once-dominant film company.
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